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Poetry

Since there’s no help, come let us kiss and part as a Love Sonnet

November 29, 2022 by Somnath Sarkar

Since there’s no help, come let us kiss and part as Love Sonnet The major content of the Elizabethan sonnets, …

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Analysis of Since there’s no help, come let us kiss and part by Michael Drayton

November 29, 2022November 28, 2022 by Somnath Sarkar

Analysis of Since there’s no help, come let us kiss and part In the golden treasury of Elizabethan poetry, the …

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Analysis of the Poem Afterwards by Thomas Hardy

November 14, 2022 by Somnath Sarkar

Afterwards by Thomas Hardy Analysis Afterwards by Thomas Hardy is the last poem in Moments of Vision, 1917. In this …

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Robert Browning as a Poet

November 9, 2022 by Somnath Sarkar

Robert Browning as a Poet Introduction Browning’s genius is essentially dramatic; but his interest lies not in the world of …

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Analysis of Medusa by Sylvia Plath

November 5, 2022 by Somnath Sarkar

Analysis of Medusa by Sylvia Plath ‘Medusa‘ is a poem with the help of Which Sylvia Plath attacks her own …

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The Hawk in the Rain Summary and Analysis

October 29, 2022 by Somnath Sarkar

The Hawk in the Rain Summary and Analysis Ted Hughes’ poem, The Hawk in the Rain was first entitled as …

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Analysis of Pike by Ted Hughes

October 29, 2022 by Somnath Sarkar

Analysis of the Poem Pike by Ted Hughes ‘Pike‘ appears in the second book entitled Lupercal, published by Hughes in …

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Hawk Roosting by Ted Hughes Summary and Analysis

October 28, 2022 by Somnath Sarkar

Hawk Roosting by Ted Hughes Summary and Analysis Hawk Roosting appears in the volume of poems entitled Lupercal published in …

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Analysis of Sonnet 30 by William Shakespeare | When to the sessions of sweet silent thought

October 26, 2022 by Somnath Sarkar

Analysis of Sonnet 30 by William Shakespeare William Shakespeare’s Sonnet 30, “When to the sessions of sweet silent thought” bears …

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Analysis of Sonnet 65 by William Shakespeare

October 26, 2022 by Somnath Sarkar

Analysis of Sonnet 65 by William Shakespeare Sonnet 65 by Shakespeare has the strain of the previous sonnet (No. 64) …

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